Posterous theme by Cory Watilo

Filed under: Manchester

Patterns, John Rylands Library, Manchester 5th April 2012...

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Yes, I know I've written about booze free gigs before.

Patterns in the beautiful surroundings of Manchester's John Rylands library required a different approach to drink free gigs though. There wasn't even a soft drink to be had, which had the effect of leaving me as desiccated as some of the dry old books on the shelves around us by the end.

More importantly, there's the issue of what to do with my hands. I usually strike the classic gig pose – beer in one hand, other hand in the pocket, head bobbing along. No, I'm not going to dance. And if you've seen me dance you'll know why (I may go jumping about down the front if it's a band I really, really like though...).

Hands on the hips just seems a bit Village People, hands on head makes it look like you're recovering at the end of a marathon. A pointing finger catalogue pose is too antisocial, especially if a finger inadvertently goes up someone's nose. Hands down the pants is just too...well, creepy. Especially if you look like you're enjoying it a bit too much.

No booze does have it's advantages though. No gig juice to stand and and get your feet stuck on, no one pushing past precariously trying to carry 4 pints of crappy lager and spilling it over your shoulder. And certainly no one chucking empty glasses over the crowd at the band. Tsk.

Wasn't I supposed to be reviewing a gig? Oh yes. I've seen Patterns a whole bunch of times over the past 18 months and they are getting better and better. The visuals were spot on tonight, new song “Blood” was a stormer, pointing the way to exciting things in the future and set-closer “Induction” is still spine tingling.

But still, hip flask for me next time there's a boozeless gig...

Patterns Facebook page...

 

Still Corners, Kraak Gallery, Manchester 03/02/12

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I like Kraak Gallery. I have also been known to like cinematic dream pop on occasion too. So seeing Still Corners at Kraak had all the hallmarks of being a good gig.  Even if there was no Oranjeboom on sale that night.

 
The Steals (or two of The Steals anyway -  Jayn Hanna and Daniel Land) warmed the crowd up nicely on this freezing February evening with some hauntingly beautiful songs. Daniel Land is a disgustingly talented musician, and those who only know him for his bass playing for The Engineers should definitely check out his work with the Modern Painters, Riverrun and The Steals. It was a shame that there was only a smattering of people there to see them.

For Still Corners I was right near the front, something that doesn’t happen for me too often at gigs anymore. You’d think that the people who make the effort to force there way down there might either be the smallest or the ones who really want to hear the band, right?

Not tonight.

I was stood in front of the tallest man in the known universe. He was about 15ft 2 inches tall. I thought he’d found himself an equally freakish tall girlfriend as well until I realised she’d had to stack 4 chairs one on top of each other and clamber up them to even get close to him.

And then they talked. They talked and talked and talked and talked and talked and talked and talked over every song. And it wasn’t like they were talking about anything important. At one point girlfriend asked 17 foot boyfriend what his favourite Beatles song is. Well, not so much asked as bellowed it out so that anyone within a 2 mile radius of Stevenson Square would have heard her.

What. Is. Your. Favourite. Beatles. Song.

FUCK OFF.

Still Corners endeared themselves  to the crowd by revealing that Manchester is Texan Greg Hughes favourite city. It is not Still Corners singer Tessa Murray’s favourite city, but then again it’s not my favourite city either and I live here, so I’ll let her off.
They played most of their album ‘Creatures of an Hour’ in front of an light show of films that perfectly suited their sound. It was hard not to like it.

Unless you’re a 19ft tall man and his girlfriend. Oh well.


The Steals website

Still Corners website

Hobby’s photographs of Still Corners

 

 

Peaking Lights & Hookworms, Deaf Institue Manchester, 10/12/11

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I have wasted your time.

I have wasted your time because the joke in the picture ONLY WORKS IF THE BAND WAS CALLED PEEKING LIGHTS. But they are not. They are called PEAKING Lights.

So, as I said, I have wasted your time.

I'm sorry.

Anyways, Peaking Lights. You can read Peter Rea's review on Silent Radio here for an excellent description of the gig...in a minute...wait...come back...I haven't finished here...

What you should also know is this:

- Peaking Lights were brilliant, despite some VERY abrupt endings.
- A man who had really bad wind stood in front of me briefly but then disappeared. Hopefully to change his trousers.
-  One really annoying bloke pulled out his best Bez on Diazapam dance moves and sucked his cheeks in so far his face was almost inside out.

I'd well recommend checking out Hookworms too, they were great. Like a psych bastard offspring of the Stooges and The Fall crossed with the sound of two tramps fighting over the last bottle of White Ace.

Peaking Lights

Hookworms

 

Silver Apples, Manchester Night & Day Cafe 26/10/11...

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I'm putting this up a month late because I've been really busy trying to write the 1st draft of a novel.
Excuses, excuses, I know. Anyways, the gig was brilliant and you can read a lot of good reviews about it elsewhere. Like here for instance.

Now, I have never managed to do a wee that smells like Ready Brek. But when I sneaked off for a mid-set slash another bloke followed me into the toilets and proceeded to do just that. Suppose it's better than the smell asparagus wee makes. But still as off-putting.

(For younger readers, that is the Ready Brek glow around a penis in the picture above. YouTube it).

The Horrors & The Kills, Warehouse Project, Manchester 15/10/11...

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A good gig review should, I think, make you feel like you were actually there even if you weren’t lucky enough to be.

So stick on a The Kills or Horrors album (2nd or 3rd LPs only, they didn’t bother playing any songs from the 1st) and feast your eyes on the picture above for a few minutes, before imagining turning 180 degrees to look at stage a mile in the distance.

Then imagine getting pushed out of the way. Over and over and over again.

Never before have so many men pushed, pulled and dry humped their way past others. If I get bruises at a gig normally it’s because I’ve been jumping about down the front (not too common these days, unfortunately), but at the Warehouse Project that night it was because I’d been barged in the back too many times purely for the crime of wanting to stand and watch some bands.

I did learn something useful that night though: should a woman wander into the men’s toilets she can simply hold a can of £3.80 Budweiser in the air and shout “Sorry! Thought this was the ladies!” and completely ignore the ridiculous sight of men stood facing each other around plastic buckets masquerading as urinals while their silly, flaccid cocks spray merrily away.

It was the only place I didn’t get pushed in the back though.

 

 

Sic Alps & Milk Maid, The Castle, Manchester 23rd August 2011...

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I felt a bit out of place at The Castle on Tuesday because I forgot to wear a beard like the rest of the men in there.  The view that Sic Alps must have had form the stage would have been very much like my picture above.


Before any of you blokes of a hirsute persuasion track me down to rub your facial hair on my naked skin and cause a minor irritating rash, be aware that this is not a beard-bashing review, just an observation.

Anyway.

Sic Alps are unashamedly lo-fi garage rock but in an almost delicate way, sometimes songs seem on the verge of falling apart before being brought back together by a beautiful hook. The trouble for me was it was all a bit samey. One nice enough song finished, people clapped politely, and then another one that sounded nearly identical started. I enjoyed myself, don’t doubt that, but I left wishing there had been a bit more variation. I’m a hard man to please sometimes.

Band of the night for me was Milk Maid, who seem to get better each time I see them. And they’ve got a bearded member, so ner.

There were two other bands on, Peacesigns who I missed because I was drinking beer somewhere else, and Former Bullies, who I missed because I was drinking beer in the front room of the Castle. See a pattern forming here? At least I’m admitting it instead of making up a review of bands I didn’t see.

And I’ll do a better picture next time. I promise.


Sic Alps website

Milk Maid myspace

 

The Whip & Dutch Uncles, Band on the Wall, Manchester 19th August 2011...

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This is how I remember Friday night's It's Miller Time Live gig at the Band on Wall happening. Maybe you were there and you think you remember differently?  Well, you're wrong.  This is EXACTLY how things went down.

Anyway, despite what disagreements you and I might have about what did and didn't happen you must concur that, acoustic or not, 'Trash' by The Whip is an amazing song.

Look out for upcoming events on the Band on the Wall website

 

WU LYF, Great Bridgewater St Tunnel, Manchester 16th July 2011...

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I don't often go to gigs where the majority of people have already made up their mind about how it was going to be before a note had even been played.  Due to their secretive nature and much hyped rise, Wu Lyf are a band who split people in two ways, attracting complete adoration or an almost unhealthily vehement hatred of them.  Tonight there were people who were going to love it no matter what, and those willing it to fail badly.
 
Except for me. I didn’t really care either way, but I went open-minded.
 
There were plenty of unhappy people at the gig, even more so afterwards. Some of it was justified – the sound was pretty awful, the bar service too slow, but that shouldn't take anything away from the spectacle of the event. The Great Bridgewater Street tunnel closed off from traffic for a night is still an impressive and atmospheric venue for a gig. I was more irritated by the crepe-paper shoe wearing hipsters who'd come to the gig just to have a conversation or the sad old Madchester refugees come to gawp at what they had been told was a band who could be their “new Stone Roses”. C'mon people, you really don't have to worry about that who any more than you do about who the new X Factor winner or Britain's Next Top Model is.

What I did come out of the gig feeling was a little sorry for Wu Lyf. I'm not entirely convinced by them, and I don’t think I can really learn to love Ellery Roberts growling-cum-yelping vocals. Yes, I know that is a bit of a ridiculous thing for someone who is such a big fan of The Fall to be saying, but there it is. And the people who were enjoying themselves were really going for it, almost worshipping what they were seeing & hearing. But having gone from playing a handful of intimate gigs to playing in front of 2,000 people it was probably inevitable that there would be a backlash, in that sad, childish, British way of ours**.

Balls. I’ve written a serious post for a change*.  Sorry.


* Yeah, I know, apart from the picture.

** Don’t worry, I’ve not gone soft. I still really, really detest plenty of bands. Guess one and win a prize.***

*** Disclaimer: There are no prizes.

Tame Impala, Sound Control Manchester, 6th July 2011

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Wolf People.  I bloody love Wolf People.  And I could see the stage when Wolf People were on. 

Unfortunately the picture pretty accurately portrays all I could see as soon as Tame Impala came on.  It was rammed, and I watched the back of Adam from Mythbusters* head and his banal text messages for the entire gig.  At least that was when I wasn't being hugged by a man who told me he’d come all the way from Australia for the gig, and listening to a group of teenage Bieber fans shouting how much they loved each band member.

 

(*It wasn't him really. Or was it..?)

Still, I enjoyed it very much, although because I am now a grumpy old man I preferred the longer psychedelic instrumental bits rather than the songs with vocals.

Go and watch a video of one of the set highlights. Not made by me, obviously, otherwise it'd just be a video of what some ginger beardy bloke was texting to his mates.